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<gallery widths="160" heights="160">
<gallery widths="160" heights="160">
Fresh (Re)Start.png|<big>'''[[Erntoron]]'''</big>
Isha's Maintenence.png|<big>'''[[R3DD]]'''</big>
Vacant Bot.png|<big>'''[[ToyLyn]]'''</big>
Reactivating an old damaged unit (NOT AI MANIP).jpg|<big>'''[[Kube²]]'''</big>
Fun Sold Separately.png|<big>'''[[R3DD]]'''</big>
Sl40r2.jpg|<big>'''[[Sarabot]]'''</big>
NightBattery077.png|<big>'''[[Battery]]'''</big>
Homecoming E1P4V1.png|<big>'''[[The Liar]]'''</big>
Browsing in the showrooms.jpg|<big>'''[[PONCH3838]]'''</big>
Robotgirl malfunction(SELFA)1.png|<big>'''[[CWButterfly]]'''</big>
</gallery>
</gallery>
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! width="22%" |<big><big>Editing
! width="22%" |<big><big>Editing
|-
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|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Getting to First Base|01.03.25 - New Chapter: ''Getting to First Base'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Relieving Boredom|3.01.25 - New Story: ''Relieving Boredom'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
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||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Rory|12.30.24 - New Story: ''Rory'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Attempted Villainy|2.26.25 - New Story: ''Attempted Villainy'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
|-
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|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[ToyLyn|12.29.24 - New Artist: ''ToyLyn'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Lost in the Shuffle|2.21.25 - New Content: ''Lost in the Shuffle'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
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|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Pawn|12.25.24 - New Story: ''The Pawn'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Professional Dedication|2.15.25 - New Story: ''Professional Dedication'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
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|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[PONCH3838|12.16.24 - New Artist: ''PONCH3838'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Post-Failure Struggle|2.13.25 - New Story: ''The Post-Failure Struggle'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
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|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Office Life|12.14.24 - New Story: ''Spaz Studios Presents: Office Life'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Space Crisis|2.11.25 - New Story: ''Space Crisis'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
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|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Acting Off-screen|12.10.24 - New Story: ''Acting Off-screen'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Frankie|2.07.25 - New Chapter: ''Frankie'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
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|}
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<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
Barbie 30.jpg
My Mom is a Robot 1x01 25.jpg
ROBOT GIRL (Blender Eevee) 22.jpg
Menace 11.jpg
Circus 6.jpg
Future.Sex.S01E03.Kobe.70.jpg
Aquatic Language sc00012.png
The Blacklist - Genuine Models Inc. 40.jpg
MMD Yandere Girlfriend 5.jpg
Naomi 8.jpg
</gallery>
</gallery>
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<br />
<div class="fw-subtitle"> <b> [[R. Betty Tarrill|Featured Artist - January: R. Betty Tarrill]]
<div class="fw-subtitle"> <b> [[Frenchman319|Featured Artist - March: Frenchman319]]
<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
Murina fae.jpg
Nouvelle collection.jpg
NickyBot.jpg
I-319.jpg
Miae.jpg
I-010.jpg
KimBot.jpg
I-364 I-009.jpg
Exposed.jpg
IZ-001.jpg
</gallery> </b></div>
</gallery> </b></div>
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{| class="aom-table" cellspacing="0"
{| class="aom-table" cellspacing="0"
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
<div align="center"><big>'''Featured Author - January'''</big><br>
<div align="center"><big>'''Featured Author - March'''</big><br>
'''[[Stories/Handle|Handle]]'''<br>
'''[[Stories/Bruekmann|Bruekmann]]'''<br>
Stories: 9
Stories: 14


Story of the week:<br>
Story of the week:<br>
'''[[A Captain's Ship is His Wife]]'''
'''[[Tinted Windows]]'''


<small>View past [[Author of the Month Archive|Author's of the Month]]</small>
<small>View past [[Author of the Month Archive|Author's of the Month]]</small>


| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
He punches out the wakeup code on the key console, causing a few feminine gurgling noises, as if a woman was awakening from a night after being roofied. "Cap-t-tain?" Christina's voice comes on. The lack of power was slurring her vocal output, but she probably had enough power to drive the ship if she kept quiet, if not for the fact that the lack of power was severe enough that the ship would no longer run its propel jets even as a slow-rotating decoration of sorts.
Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?


"Yes, Christina. I... I just came to thank you for taking care of me all these years. It was a good five decades with you." Oskar nods at the keypad, lit softly by the same dim amber glow he'd grown accustomed to all these years. "All those years of ordering my early morning break simply because I'd forgotten to do so, all those modest fuel savings borrowing the undercurrent flows of the seas, all those cargoes carried safely..."
As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.


"Forty eight years, 4 mmm-onnnn-onths, and 3-3-3 days, actually. Also: there was the one time that luxury car car fell off." There is a tinge of mournfulness in her voice even as she playfully corrects the captain. Or was it just the power supply lacking?
She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.


"Fuck that Elonin Musket guy. If he wants to ignore my advice on how to pack his car to avoid shifting on the ocean, it's his mudball to bear when it shifts all the way off the cargo deck!" He's not drunk, Oskar swears, the kvass he's sipping from his other hand isn't that strong. But it's clear that it has affected his mind a little in some ways.
And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.


"Where will you goooo next-next-next, Captain? Who is-is-is taking over the Christeeeeena?"
And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.
 
I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.
 
“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.
 
I don’t remember how I replied.
 
Anyway.
 
Everything went off fine until the Intermission.
|}
|}
<br />
<br />

Revision as of 03:44, 18 March 2025

Welcome to FembotWiki


Powered by MediaWiki 1.40.0 • 18:08 • May 18, 2025 • Users: 361 • Files: 97,882 • Pages: 115,013 • Edits: 198,256



Features New Content Editing
Gallery 3.01.25 - New Story: Relieving Boredom Article Drive
Stories 2.26.25 - New Story: Attempted Villainy Help
Index of articles 2.21.25 - New Content: Lost in the Shuffle Sandbox
ASFR Master List 2.15.25 - New Story: Professional Dedication Upload Files
Commissions 2.13.25 - New Story: The Post-Failure Struggle Recent Changes
Photo Workshop 2.11.25 - New Story: Space Crisis Unused Files
Writing Workshop 2.07.25 - New Chapter: Frankie New Files




Featured Author - March

Bruekmann
Stories: 14

Story of the week:
Tinted Windows

View past Author's of the Month

Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?

As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.

She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.

And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.

And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.

I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.

“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.

I don’t remember how I replied.

Anyway.

Everything went off fine until the Intermission.


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