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<gallery widths="160" heights="160">
<gallery widths="160" heights="160">
Sleeper Date.png|<big>'''[[Erntoron]]'''</big>
Isha's Maintenence.png|<big>'''[[R3DD]]'''</big>
Boytoy shutdown.png|<big>'''[[ToyLyn]]'''</big>
Reactivating an old damaged unit (NOT AI MANIP).jpg|<big>'''[[Kube²]]'''</big>
Funtronics Hiking Trip.png|<big>'''[[Uncom]]'''</big>
Sl40r2.jpg|<big>'''[[Sarabot]]'''</big>
NightBattery076-2.png|<big>'''[[Battery]]'''</big>
Homecoming E1P4V1.png|<big>'''[[The Liar]]'''</big>
Motherly love.jpg|<big>'''[[PONCH3838]]'''</big>
Robotgirl malfunction(SELFA)1.png|<big>'''[[CWButterfly]]'''</big>
</gallery>
</gallery>
<br />
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! width="22%" |<big><big>Editing
! width="22%" |<big><big>Editing
|-
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|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Rory|12.30.24 - New Story: ''Rory'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Relieving Boredom|3.01.25 - New Story: ''Relieving Boredom'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
|-
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||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[ToyLyn|12.29.24 - New Artist: ''ToyLyn'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Attempted Villainy|2.26.25 - New Story: ''Attempted Villainy'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
|-
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|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Pawn|12.25.24 - New Story: ''The Pawn'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Lost in the Shuffle|2.21.25 - New Content: ''Lost in the Shuffle'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
|-
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|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[PONCH3838|12.16.24 - New Artist: ''PONCH3838'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Professional Dedication|2.15.25 - New Story: ''Professional Dedication'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
|-
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|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Office Life|12.14.24 - New Story: ''Spaz Studios Presents: Office Life'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Post-Failure Struggle|2.13.25 - New Story: ''The Post-Failure Struggle'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
|-
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|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Acting Off-screen|12.10.24 - New Story: ''Acting Off-screen'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Space Crisis|2.11.25 - New Story: ''Space Crisis'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
|-
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|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Stories/Handle|11.29.24 - New Author: ''Handle'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Frankie|2.07.25 - New Chapter: ''Frankie'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
|}
|}
<br />
<br />
<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
Tera 16.jpg
My Mom is a Robot 1x01 25.jpg
Deonna robot 4.jpg
Menace 11.jpg
Robot girls-help! 9.jpg
Future.Sex.S01E03.Kobe.70.jpg
Twice MoMo cute robot made in Japan at GAGConcert 2.jpg
The Blacklist - Genuine Models Inc. 40.jpg
Coco Velvett does the Robot 6.jpg
Naomi 8.jpg
</gallery>
</gallery>
<br />
<br />
<div class="fw-subtitle"> <b> [[R. Betty Tarrill|Featured Artist - January: R. Betty Tarrill]]
<div class="fw-subtitle"> <b> [[Frenchman319|Featured Artist - March: Frenchman319]]
<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
MsFuckdolll.jpg
Nouvelle collection.jpg
RennaBreed.jpg
I-319.jpg
XenaKaiBot.jpg
I-010.jpg
SoraPersona.jpg
I-364 I-009.jpg
SkyeBot.jpg
IZ-001.jpg
</gallery> </b></div>
</gallery> </b></div>
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{| class="aom-table" cellspacing="0"
{| class="aom-table" cellspacing="0"
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
<div align="center"><big>'''Featured Author - January'''</big><br>
<div align="center"><big>'''Featured Author - March'''</big><br>
'''[[Stories/Handle|Handle]]'''<br>
'''[[Stories/Bruekmann|Bruekmann]]'''<br>
Stories: 9
Stories: 14


Story of the week:<br>
Story of the week:<br>
'''[[Old Wife, New Life]]'''
'''[[Tinted Windows]]'''


<small>View past [[Author of the Month Archive|Author's of the Month]]</small>
<small>View past [[Author of the Month Archive|Author's of the Month]]</small>


| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
The next delivery comes the week after, while you are out in the town seeing to your various errands after the end of work for the day. You find a message in your instant messages- someone has used the entry code you provided Berequel Creations specifically to allow them entry as needed to enter your home for any maintenance or repairs or delivery, under promise not to abuse it.
Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?


Standing perfectly still in the middle of the small living room, just past your tiny kitchen, is the figure of a blonde, voluptuous woman. Every bit of her virtually the same as when she introduced your face to a washbasin for walking in on her bath. Not the original flesh and blood woman, but a silicone and electronic facsimile. She is dressed in a simple floral sundress and has a serene face, her eyes closed, as if frozen in the middle of thinking about how nice it would be to have a delicious sweet at this time of day.
As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.


For a change, you don't sigh. It would make no sense really, sighing when something you have been excitedly waiting for for the better part of three months is here. What you do do, however, is briefly rack your mind. Your obsessive memory, already a major help in journalism work, has proven quite helpful for memorizing the command reference, and you think you know enough to get this show properly on the road.
She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.


You lean in slowly, examining her face closely, marvelling at all the detailing that has gone into making her. the faint peach fuzz all over her, usually ignored by most people building Autoslavs or androids in many places, is all over her in subtle amounts, adding to how real she looks. But enough talk, really.
And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.


You say the first words you want to say to her. They are far from romantic, but the mind at home right now in her would not appreciate romance, you think. "Bronii, override command: disable coma mode. Passcode: X 36 Ruby 41 25."
And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.
 
I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.
 
“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.
 
I don’t remember how I replied.
 
Anyway.
 
Everything went off fine until the Intermission.
|}
|}
<br />
<br />

Revision as of 03:44, 18 March 2025

Welcome to FembotWiki


Powered by MediaWiki 1.40.0 • 20:13 • May 17, 2025 • Users: 361 • Files: 97,877 • Pages: 115,007 • Edits: 198,246



Features New Content Editing
Gallery 3.01.25 - New Story: Relieving Boredom Article Drive
Stories 2.26.25 - New Story: Attempted Villainy Help
Index of articles 2.21.25 - New Content: Lost in the Shuffle Sandbox
ASFR Master List 2.15.25 - New Story: Professional Dedication Upload Files
Commissions 2.13.25 - New Story: The Post-Failure Struggle Recent Changes
Photo Workshop 2.11.25 - New Story: Space Crisis Unused Files
Writing Workshop 2.07.25 - New Chapter: Frankie New Files




Featured Author - March

Bruekmann
Stories: 14

Story of the week:
Tinted Windows

View past Author's of the Month

Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?

As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.

She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.

And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.

And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.

I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.

“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.

I don’t remember how I replied.

Anyway.

Everything went off fine until the Intermission.


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