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<gallery widths="160" heights="160">
<gallery widths="160" heights="160">
Beth & Evie Beach Discovery by Altop.jpg|<big>'''[[Erntoron]]'''</big>
Isha's Maintenence.png|<big>'''[[R3DD]]'''</big>
Waiting to be turned on.png|<big>'''[[N6688]]'''</big>
Reactivating an old damaged unit (NOT AI MANIP).jpg|<big>'''[[Kube²]]'''</big>
TRCT020.png|<big>'''[[Uncom]]'''</big>
Sl40r2.jpg|<big>'''[[Sarabot]]'''</big>
Monika by Altop.jpg|<big>'''[[R3DD]]'''</big>
Homecoming E1P4V1.png|<big>'''[[The Liar]]'''</big>
Quick 430.png|<big>'''[[Dingdongdug]]'''</big>
Robotgirl malfunction(SELFA)1.png|<big>'''[[CWButterfly]]'''</big>
</gallery>
</gallery>
<br />
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! width="22%" |<big><big>Editing
! width="22%" |<big><big>Editing
|-
|-
|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Reploid Reconstruction|11.21.24 - New Story: ''Reploid Reconstruction'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Relieving Boredom|3.01.25 - New Story: ''Relieving Boredom'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
|-
|-
||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Virus|11.16.24 - New Story: ''The Virus'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Attempted Villainy|2.26.25 - New Story: ''Attempted Villainy'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
|-
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|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Getting to First Base|11.15.24 - New Chapter: ''Getting to First Base'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Lost in the Shuffle|2.21.25 - New Content: ''Lost in the Shuffle'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
|-
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|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Heart of the Arcane|11.11.24 - New Story: ''Heart of the Arcane'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Professional Dedication|2.15.25 - New Story: ''Professional Dedication'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
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|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Am I Perfect for You?|11.3.24 - New Story: ''Am I Perfect for You?'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Post-Failure Struggle|2.13.25 - New Story: ''The Post-Failure Struggle'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
|-
|-
|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Bonnibel|10.29.24 - New Artist: ''Bonnibel'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Space Crisis|2.11.25 - New Story: ''Space Crisis'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
|-
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|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Stories/TotallyNot|09.22.24 - New Author: ''TotallyNot'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Frankie|2.07.25 - New Chapter: ''Frankie'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
|}
|}
<br />
<br />
<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
Previously Saved Version 10.jpg
My Mom is a Robot 1x01 25.jpg
Technical Support 5.jpg
Menace 11.jpg
LAYLA - Animation Short Film 2024 - GOBELINS 14.jpg
Future.Sex.S01E03.Kobe.70.jpg
Bulma Has a Clone - Dragon Ball Z Kakarot 3.jpg
The Blacklist - Genuine Models Inc. 40.jpg
Tomorrow and I - Trailer 3.jpg
Naomi 8.jpg
</gallery>
</gallery>
<br />
<br />
<div class="fw-subtitle"> <b> [[Mechamaiden|Featured Artist - November: Mechamaiden]]
<div class="fw-subtitle"> <b> [[Frenchman319|Featured Artist - March: Frenchman319]]
<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
Malfunctioning Miku.png
Nouvelle collection.jpg
Majestically Malfunctioning Mechanical Marisa.png
I-319.jpg
Adult Neptune is Perfectly Perfect.png
I-010.jpg
C-Sha's Copy is Smoking Sexy.png
I-364 I-009.jpg
Robo Iris Heart gets dominated by water.png
IZ-001.jpg
</gallery> </b></div>
</gallery> </b></div>
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{| class="aom-table" cellspacing="0"
{| class="aom-table" cellspacing="0"
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
<div align="center"><big>'''Featured Author - November'''</big><br>
<div align="center"><big>'''Featured Author - March'''</big><br>
'''[[Stories/TotallyNot|TotallyNot]]'''<br>
'''[[Stories/Bruekmann|Bruekmann]]'''<br>
Stories: 11
Stories: 14


Story of the week:<br>
Story of the week:<br>
'''[[Proto-Lawyers]]'''
'''[[Tinted Windows]]'''


<small>View past [[Author of the Month Archive|Author's of the Month]]</small>
<small>View past [[Author of the Month Archive|Author's of the Month]]</small>


| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
“S-S-S-S-S-So there is no c-case! Mr. Jenkins is great-great. That's why we came here, to give you the s-s-s-submission form for-for the c-c-case-case- totally perfect case” She continues, each line contradicting the last. At this point the judge barely even knows what to do. It might be easiest if he just lets it play out and waits until the robots are all unable to continue. He can hear the occasional zap sound from Dolores, and some sort of smoking escaping through the cracks in her body. When she fell to the floor it seemed it hit harder than even she was aware of. Dolores’ body had a couple of issues, but most notable of all was the damaged wiring. Some of her wires had been torn, leading to leaking power and sparks. She is currently writhing on the floor with Julie, making out and touching her. Julie’s system is committing hard to the sexual responses, as it is some of the only executed code that is actually functioning right now. But as they make out and their bodies wriggle and writhe against each other, a cable from Dolores’ body slowly gets shoved and whips up, like a hose that's been let go. It creeps up her throat and finds its way to her mouth. The wire is leaking electricity, and it won’t take long for it to come into contact with the artificial saliva that is inside her mouth, and constantly leaking into Julies.
Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?
 
As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.
 
She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.
 
And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.
 
And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.
 
I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.
 
“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.
 
I don’t remember how I replied.
 
Anyway.
 
Everything went off fine until the Intermission.
|}
|}
<br />
<br />

Revision as of 03:44, 18 March 2025

Welcome to FembotWiki


Powered by MediaWiki 1.40.0 • 09:32 • May 18, 2025 • Users: 361 • Files: 97,882 • Pages: 115,013 • Edits: 198,256



Features New Content Editing
Gallery 3.01.25 - New Story: Relieving Boredom Article Drive
Stories 2.26.25 - New Story: Attempted Villainy Help
Index of articles 2.21.25 - New Content: Lost in the Shuffle Sandbox
ASFR Master List 2.15.25 - New Story: Professional Dedication Upload Files
Commissions 2.13.25 - New Story: The Post-Failure Struggle Recent Changes
Photo Workshop 2.11.25 - New Story: Space Crisis Unused Files
Writing Workshop 2.07.25 - New Chapter: Frankie New Files




Featured Author - March

Bruekmann
Stories: 14

Story of the week:
Tinted Windows

View past Author's of the Month

Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?

As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.

She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.

And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.

And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.

I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.

“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.

I don’t remember how I replied.

Anyway.

Everything went off fine until the Intermission.


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