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<gallery widths="160" heights="160">
<gallery widths="160" heights="160">
(Not) Perfect.png|<big>'''[[Erntoron]]'''</big>
Isha's Maintenence.png|<big>'''[[R3DD]]'''</big>
ALIENABOT.png|<big>'''[[Bonnibel]]'''</big>
Reactivating an old damaged unit (NOT AI MANIP).jpg|<big>'''[[Kube²]]'''</big>
I.V. plugged in.png|<big>'''[[N6688]]'''</big>
Sl40r2.jpg|<big>'''[[Sarabot]]'''</big>
NightBattery075.png|<big>'''[[Battery]]'''</big>
Homecoming E1P4V1.png|<big>'''[[The Liar]]'''</big>
Bl9r1.jpg|<big>'''[[Sarabot]]'''</big>
Robotgirl malfunction(SELFA)1.png|<big>'''[[CWButterfly]]'''</big>
</gallery>
</gallery>
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! width="22%" |<big><big>Editing
! width="22%" |<big><big>Editing
|-
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|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Bonnibel|10.29.24 - New Artist: ''Bonnibel'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Relieving Boredom|3.01.25 - New Story: ''Relieving Boredom'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
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||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Getting to First Base|10.25.24 - New Story: ''Getting to First Base'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Attempted Villainy|2.26.25 - New Story: ''Attempted Villainy'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
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|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Stories/TotallyNot|9.22.24 - New Author: ''TotallyNot'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Lost in the Shuffle|2.21.25 - New Content: ''Lost in the Shuffle'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
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|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Memory Leak|9.16.24 - New Story: ''Memory Leak'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Professional Dedication|2.15.25 - New Story: ''Professional Dedication'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
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|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Expo|8.30.24 - New Story: ''The Expo'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Post-Failure Struggle|2.13.25 - New Story: ''The Post-Failure Struggle'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
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|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Rachel|8.22.24 - New Story: ''Rachel'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Space Crisis|2.11.25 - New Story: ''Space Crisis'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
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|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Roommates|8.21.24 - New Chapter: ''Roommates'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Frankie|2.07.25 - New Chapter: ''Frankie'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
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|}
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<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
Contrary 4.jpg
My Mom is a Robot 1x01 25.jpg
Sci-Fi Short Film - C600: The Singularity 48.jpg
Menace 11.jpg
Patch 14.jpg
Future.Sex.S01E03.Kobe.70.jpg
IDeal Wife 38.jpg
The Blacklist - Genuine Models Inc. 40.jpg
Prototype (2017) 8.jpg
Naomi 8.jpg
</gallery>
</gallery>
<br />
<br />
<div class="fw-subtitle"> <b> [[Mechamaiden|Featured Artist - November: Mechamaiden]]
<div class="fw-subtitle"> <b> [[Frenchman319|Featured Artist - March: Frenchman319]]
<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
The Compas' Funtime Malfunction.png
Nouvelle collection.jpg
Seiso Idol.EXE has Stop Working.png
I-319.jpg
Queen of Keves (Robot Melia) Alternate Reveal.png
I-010.jpg
Very Normal Hololive Girls.png
I-364 I-009.jpg
Hololive Animatronic Stage Failure.png
IZ-001.jpg
</gallery> </b></div>
</gallery> </b></div>
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{| class="aom-table" cellspacing="0"
{| class="aom-table" cellspacing="0"
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
<div align="center"><big>'''Featured Author - November'''</big><br>
<div align="center"><big>'''Featured Author - March'''</big><br>
'''[[Stories/TotallyNot|TotallyNot]]'''<br>
'''[[Stories/Bruekmann|Bruekmann]]'''<br>
Stories: 11
Stories: 14


Story of the week:<br>
Story of the week:<br>
'''[[The Reprogramming]]'''
'''[[Tinted Windows]]'''


<small>View past [[Author of the Month Archive|Author's of the Month]]</small>
<small>View past [[Author of the Month Archive|Author's of the Month]]</small>


| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
Shadaloo grunt workers make their way to the server room to grab the lifeless metal that makes up Chun-Li’s form. It was easy to locate her once they had access to her internal GPS system through the virus. They slowly drag her to an elevator, before delving deep into a secure underground bunker, to where the researchers and scientists do their work. They secure her body to a padded table, and wheel her into a lab. The room is filled with men wearing white coats. Once in the middle of the room, the two soldiers stand by the door to act as guards. Someone who appears to be the lead scientist approaches Chun-li. While he does, the team brings over all sorts of machines, equipment, and the like. He carefully studies the lining of her mechanical body, seeing where each part connects. He gently feels synthetic skin layering the cool steel underneath it.
Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?


“Well, we finally have her. Now let's turn her into our soldier~” He says with a small grin, before grabbing the closest tool on the table. They pull off her clothes and rotate the table to hold her vertically. Her well rounded chest is on full display, with shockingly realistic detail. Her pussy has also had considerable care to be visually appeasing. They connect some wires into sockets found behind a small cover mechanism on her neck. This allows them to run her software on their sophisticated computers to better reprogram her. They find schematics detailing all the internal systems found within her cybernetic body. This includes all of her different visual options, such as night vision and a heat sensor. They find a lot of her original biological components are emulated in numerous ways, allowing for sex.
As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.
 
She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.
 
And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.
 
And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.
 
I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.
 
“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.
 
I don’t remember how I replied.
 
Anyway.
 
Everything went off fine until the Intermission.
|}
|}
<br />
<br />

Revision as of 03:44, 18 March 2025

Welcome to FembotWiki


Powered by MediaWiki 1.40.0 • 21:26 • May 19, 2025 • Users: 361 • Files: 97,915 • Pages: 115,047 • Edits: 198,338



Features New Content Editing
Gallery 3.01.25 - New Story: Relieving Boredom Article Drive
Stories 2.26.25 - New Story: Attempted Villainy Help
Index of articles 2.21.25 - New Content: Lost in the Shuffle Sandbox
ASFR Master List 2.15.25 - New Story: Professional Dedication Upload Files
Commissions 2.13.25 - New Story: The Post-Failure Struggle Recent Changes
Photo Workshop 2.11.25 - New Story: Space Crisis Unused Files
Writing Workshop 2.07.25 - New Chapter: Frankie New Files




Featured Author - March

Bruekmann
Stories: 14

Story of the week:
Tinted Windows

View past Author's of the Month

Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?

As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.

She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.

And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.

And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.

I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.

“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.

I don’t remember how I replied.

Anyway.

Everything went off fine until the Intermission.


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