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<gallery widths="160" heights="160">
<gallery widths="160" heights="160">
Damaged. (with text).png|<big>'''[[N6688]]'''</big>
Isha's Maintenence.png|<big>'''[[R3DD]]'''</big>
Astirius Website.png|<big>'''[[Erntoron]]'''</big>
Reactivating an old damaged unit (NOT AI MANIP).jpg|<big>'''[[Kube²]]'''</big>
R1221.png|<big>'''[[Natalie Bayer]]'''</big>
Sl40r2.jpg|<big>'''[[Sarabot]]'''</big>
Waiting For Collection.jpg|<big>'''[[BA]]'''</big>
Homecoming E1P4V1.png|<big>'''[[The Liar]]'''</big>
Spaz Oc Clothed back 04.png|<big>'''[[Tanagraphix]]'''</big>
Robotgirl malfunction(SELFA)1.png|<big>'''[[CWButterfly]]'''</big>
</gallery>
</gallery>
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! width="22%" |<big><big>Editing
! width="22%" |<big><big>Editing
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|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Rachel|8.22.24 - New Story: ''Rachel'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
|[[Image:Nav-gallery.png|20px|link=Gallery]] <big>'''[[Gallery]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Relieving Boredom|3.01.25 - New Story: ''Relieving Boredom'']]'''</big>||[[Image:Nav-keyboard.png|20px|link=Article drive]] <big>'''[[Article drive|Article Drive]]'''  
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||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Roommates|8.21.24 - New Chapter: ''Roommates'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
||[[Image:Nav-stories.png|20px|link=Stories]] <big>'''[[Stories]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Attempted Villainy|2.26.25 - New Story: ''Attempted Villainy'']]'''</big>||[[Image:Nav-help.png|20px|link=Help:Contents]] <big>'''[[Help:Contents|Help]]'''
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|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Frankie|8.16.24 - New Chapter: ''Frankie'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
|[[File:Nav-list2.png|20px|link=Reviews]] <big>'''[[Index of articles]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Lost in the Shuffle|2.21.25 - New Content: ''Lost in the Shuffle'']]'''</big>||[[Image:Nav-sandbox.png|20px|link=Sandbox]] <big>'''[[Sandbox]]'''
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|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Frustration|8.02.24 - New Story: ''Frustration'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
|[[Image:Nav-list.png|20px|link=Master list of ASFR]] <big>'''[[Master list of ASFR|ASFR Master List]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Professional Dedication|2.15.25 - New Story: ''Professional Dedication'']]'''</big>||[[Image:Nav-upload.png|20px|link=Special:UploadWizard]] <big>'''[[Special:UploadWizard|Upload Files]]'''
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|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[New Neighbors|7.29.24 - New Story: ''New Neighbors'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
|[[Image:Nav-fyop.png|20px|link=Commissions]] <big>'''[[Commissions]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Post-Failure Struggle|2.13.25 - New Story: ''The Post-Failure Struggle'']]'''</big>||<big>[[Image:Nav-recent.png|20px|link=Special:Recentchanges]] '''[[Special:Recentchanges|Recent Changes]]'''
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|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[The Exchange Student|7.22.24 - New Story: ''The Exchange Student'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
|[[Image:Nav-manip.png|20px|link=Photo manipulation workshop]] <big>'''[[Photo manipulation workshop|Photo Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Space Crisis|2.11.25 - New Story: ''Space Crisis'']]'''</big>||[[Image:Nav-unused.png|20px|link=Special:Unusedimages]] <big>'''[[Special:Unusedimages|Unused Files]]'''
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|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Jeff and Sydney|7.18.24 - New Chapters: ''Jeff and Sydney'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
|[[Image:Nav-story.png|20px|link=Story writing workshop]] <big>'''[[Story writing workshop|Writing Workshop]]''' ||[[Image:Nav-star.png|20px]] <big>'''[[Frankie|2.07.25 - New Chapter: ''Frankie'']]'''</big>||<big>[[Image:Nav-newimages.png|20px|link=Special:Newimages]] '''[[Special:Newimages|New Files]]'''
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<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
USA-rs-370-qxxs.jpg
My Mom is a Robot 1x01 25.jpg
R22 00000006.jpg
Menace 11.jpg
Clone Fembot by Gabriel Dishaw.jpg
Future.Sex.S01E03.Kobe.70.jpg
12808128657888.jpeg
The Blacklist - Genuine Models Inc. 40.jpg
Robot-waitress-zhejiang.jpg
Naomi 8.jpg
</gallery>
</gallery>
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<br />
<div class="fw-subtitle"> <b> [[FTLTraveler|Featured Artist - September: FTLTraveler]]
<div class="fw-subtitle"> <b> [[Frenchman319|Featured Artist - March: Frenchman319]]
<gallery perrow="5" widths="160px" heights="160px">
<gallery perrow="5" widths="160px" heights="160px">
Ready for use.png
Nouvelle collection.jpg
Lesbian Fun.png
I-319.jpg
Internal Use Only.png
I-010.jpg
Older Model.png
I-364 I-009.jpg
White hair.png
IZ-001.jpg
</gallery> </b></div>
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{| class="aom-table" cellspacing="0"
{| class="aom-table" cellspacing="0"
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
| style="background:#a6cdf0" width="25%" class="aom-left" text-align="center" |
<div align="center"><big>'''Featured Author - September'''</big><br>
<div align="center"><big>'''Featured Author - March'''</big><br>
'''[[Stories/Natalie Bayer|Natalie Bayer]]'''<br>
'''[[Stories/Bruekmann|Bruekmann]]'''<br>
Stories: 44
Stories: 14


Story of the week:<br>
Story of the week:<br>
'''[[Frankie]]'''
'''[[Tinted Windows]]'''


<small>View past [[Author of the Month Archive|Author's of the Month]]</small>
<small>View past [[Author of the Month Archive|Author's of the Month]]</small>


| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
| width="75%" style="background:#ffbb96" class="aom-right" cellpadding="5" |
There was a sudden odd sensation that Frankie’s processors parsed. Balance coordinates and procedures were thrown completely off. A sudden flood of alert messages flooded her field of vision and there was a dramatic drop in her power consumption. All of this just a moment or two after she felt Simone’s hands on her thigh, high on her hips and another between her groin and leg.
Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?


Frankie came to realize that her whole leg had just been disconnected, not only because of the myriad of error messages, but because she saw Simone holding it once the field of warnings were cleared from her vision.
As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.


She could see the tangled mess of cables and wires dangling from the end of the leg. Her foot was hanging limp at the end of it, dangling from what small amount of cables remained connected and shreds of flesh. Frankie’s eyes drifted from the leg Simone was holding back to her own body. There was a small portion of her upper thigh that remained in place, but her leg was missing. There were matching sets of multi-colored cables and wires dangling from her remaining leg stump.
She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.


Lining the edge of where her leg once was, remained a thick layer of artificial skin. It was almost half an inch thick, and it cut a hard edge where it met the internal structure and framework of Frankie’s leg. She pushed herself up just a little more, enough to support her weight on one hand. With her other hand she reached forward, running the tips of her fingers along the edge of the exposed leg port.
And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.


Her operating system fed her data about the feeling. She felt her fingers running along the skin, but as soon as they crested over the edge and moved along the inner edge, the edge that was always covered by her now disconnected leg, she suddenly felt nothing. Yet her fingers still registered a feeling, it was enough to throw a myriad of small errors in her processing system.
And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.


“I don’t know if your mom has more replacements or anything.” Simone said as soon as she returned from setting Frankie’s damaged leg on Sigourney’s desk. “But I can’t find anything. So, I guess you’re out of commission until she comes home.
I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.


“That is alright.Frankie replied. “Perhaps you could carry me to my room then? I can rest there until she returns.
“Why are you shaking?The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.


“Yeah, sure.
I don’t remember how I replied.
 
Anyway.
 
Everything went off fine until the Intermission.
|}
|}
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Revision as of 03:44, 18 March 2025

Welcome to FembotWiki


Powered by MediaWiki 1.40.0 • 19:22 • May 18, 2025 • Users: 361 • Files: 97,882 • Pages: 115,013 • Edits: 198,256



Features New Content Editing
Gallery 3.01.25 - New Story: Relieving Boredom Article Drive
Stories 2.26.25 - New Story: Attempted Villainy Help
Index of articles 2.21.25 - New Content: Lost in the Shuffle Sandbox
ASFR Master List 2.15.25 - New Story: Professional Dedication Upload Files
Commissions 2.13.25 - New Story: The Post-Failure Struggle Recent Changes
Photo Workshop 2.11.25 - New Story: Space Crisis Unused Files
Writing Workshop 2.07.25 - New Chapter: Frankie New Files




Featured Author - March

Bruekmann
Stories: 14

Story of the week:
Tinted Windows

View past Author's of the Month

Just thinking back to some of Ashleigh Treigh’s performances; if you’d seen her, you’d know what I’m talking about. No machine could ever be that good. Were its wires filled with the adrenaline of that first moment on stage? Did it have a heart that could beat in rhythm with the music? Did the whispers of the crowd move this robot? Could it sense the audience’s excitement and draw energy from it? Was it capable of feeling goosebumps cascade across its plastic flesh when the audience cheered it? Could it feel the exhilaration after a perfectly executed performance? Did it have a sense of utter fulfillment and satisfaction and contentment when the night was over and the lights went off, when the seats were empty and the crowds were gone?

As I’ve explained, I had serious doubts as soon as I was informed of the extraordinary last-minute change in cast. Especially after the director accidentally spilled the beans that her maintenance schedule conflicted with her performances, so it had been decided by management that the routine maintenance was to be postponed. Well, the moment I laid eyes on the two-bit manufactured madam, all of my misgivings seemed very well founded.

She was made-up to resemble Ashleigh Treigh from a distance. Same slim build, long legs, thin neck. The short blond hair was done up in a tight ponytail. The hair was stretched back to reveal a smooth and barren forehead, and unlike Treigh’s, it wasn’t creased by lines of life and worry. It was devoid of thought, experience.

And her eyes were dead, like marbles sitting in plastic cups. No focus, no flicker of intelligence. No curiosity, no dazzle, no sparkle of vitality. This was not Ashleigh Treigh.

And in the performance, everything unfolded more or less as I has foreseen. I couldn’t predict the details, but I just knew something terrible was going to happen.

I remember standing with her behind the two-story high curtains. I knew that in moments, after the introduction was complete, the curtains would part like the thighs of a beautiful young mother, about to give birth to my career.

“Why are you shaking?” The faux-Ashleigh Treigh had asked me. It seemed like the machine was accusing me of weakness, of being soft. That’s never a problem, I guess, if you’re made out of metal.

I don’t remember how I replied.

Anyway.

Everything went off fine until the Intermission.


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